Ireland’s Amazing Boyne Valley Tombs – Dowth, Knowth and Newgrange

Located in a bend of the River Boyne in County Meath, Ireland, Brú na Bóinne (“mansion or palace of the Boyne”) is also called the Boyne Valley tombs.

Brú na Bóinne is an ancient monument complex and ritual landscape built during the 32nd century BCE.

The site is dominated by the passage tombs of Dowth (Dubhadh), Knowth (Cnogbha) and Newgrange (Sí an Bhrú).

Brú na Bóinne is one of the world’s most important Neolithic landscapes, and is a UNESCO Wolrd Heritage site. Collectively it consists of at least ninety monuments including passage tombs, burial mounds, standing stones and enclosures. It is the largest assemblage of megalithic art in Europe.

The archaeological culture associated with is called the “Boyne culture,” of which little is known. The Boyne valley has been a center of human settlement for at least 6,000 years. Most of the major structures date from the Neolithic period to around 5,000 years ago.

Predating the Egyptian pyramids, the site is a complex of Neolithic mounds, chamber tombs, standing stones, henges and other prehistoric enclosures. The site covers 780 ha (1,927 acres). Brú na Bóinne is located eight kilometers west of Drogheda in County Meath, Ireland, in a bend of the River Boyne, about 40 kilometers north of Dublin. It contains about 40 passage tombs, as well as other prehistoric sites and features built later.

Brú na Bóinne is also an important archaeoastronomical site. Several of the passage tombs are aligned with the winter solstice and equinoxes. The site’s construction is sophisticated, showing a knowledge of science and astronomy, which is especially evident in the winter solstice-aligned passage grave of Newgrange.

Most of the monuments are on the north side of the river Boyne. Each of main tombs stand on a ridge within the river bend. Dowth, Knowth, and Newgrange may have been built to be visible from each other and from northern and southern approaches along the Boyne.

Two of the tombs, Knowth and Newgrange, appear to contain stones re-used from an earlier monument at the site, there is no evidence for earlier activity at the site, except for a few finds of flint tools from Mesolithic hunters.

Work on the tombs and other features by the original Boyne culture appears to have stopped around 2,900 BCE.

The area was ritual and ceremonial site in the later Bronze Age and Iron Age, long after the Boyne culture that built the tombs had disappeared. The area was used until the early Bronze Age, when a number of embanked, pit and wooden post circles (collectively referred to as “henges”) were built. Artifacts from the later Bronze Age include some cist and ring ditch burials and burnt mounds. From the Iron Age there is only evidence of sporadic activity, such as burials near Knowth and at Rosnaree. Valuable items from the Roman period such as coins and jewelry were found near Newgrange

In Irish mythology, the tombs are considered portals to the Otherworld and the homes of the deities, The Dagda and his son Aengus.

The Brú na Bóinne began was first studied by antiquarians in the 18th century. Archaeological excavations began in the 20th century, when some of the passage tombs – Knowth and Newgrange – underwent restoration.

ireland #newgrange #Dowth #Knowth #passagetomb #irish #irishhistory #ancient #ancientireland #countymeath #riverboyne #boynevalley #history #prehistoric #prehistoricireland #megalithic #megalithicireland #archeology #kerbstone #ritual #mysterious #bronzeage #henge #standingstone #stonecircle #stonecircles #neolithic #neolithicage #runes #wintersolstice #megalithicart #ironage #bronzeage

The Captivating History of St. Mary’s Church, Mansfieldtown

St. Mary’s Church, Mansfieldstown is a medieval church and National Monument in County Louth, Ireland.

Mansfieldstown Church is located 3.7 km (2.3 mi) west of Castlebellingham, on the north bank of the River Glyde.

The earliest reference to a church here is in the Papal Registers of 1299. Archbishop Richard FitzRalph delivered a sermon at Mansfieldstown in 1349, in the midst of the Black Death. The church was recorded as ruined in 1640.

The confusingly named Mansfieldstown Old Church was built in 1691, after the Battle of the Boyne.

The church currently is in ruins. The church incorporates a 15th-century Late Gothic east window. The Late Gothic east window has tracery, stones bars or ribs, that help support glass.

There were many alterations and additions made in the 19th century.

The graveyard surrounding the ruined church has a mixture of very old and more recent burials.

A large, decorated, c. 15th-century baptismal font once stood here. The baptismal font it is now in another church names for St. Mary, St. Mary’s Parish Church, in nearby Ardee. St. Mary’s in Ardee Built was circa 1810 on the site of an earlier church.

During the Black Death, in 1349, Archbishop Richard FitzRalph delivered a sermon at Mansfieldstown.

Mansfieldtown, the townland name, is derived from the Anglo-Norman Maundeville family who settled there after 1172.

ireland #irish #irishhistory #ancientireland #countylouth #history #mansfieldtown #earlychristianireland #church #historicchurch #louth #stmaryschurch

The Unsolved Mystery Of The Jumping Wall of Kildemock Church

The Jumping Wall at Kildemock Church is located just outside the town of Ardee in Co. Louth, Ireland.

The stone west wall of the ruined church is said to “jumped” about three feet (a little less than a meter) off its foundation yet remained upright although a slight titled angle.

Shrouded in local mythology, the story of the jumping wall involves either the weather or paranormal activity.

One story has it that the wall moved during a powerful storm in February 1715. The other legend has it that the wall moved away from a grave located a few feet outside the wall of a man who had been excommunicated from the church.

A plaque on the wall states: “This wall by its pitch, tilt and position can be seen to have moved three feet from its foundation. Contemporary accounts mention a severe storm in 1715 when the wall was lifted and deposited as it now stands but local tradition states that the wall jumped inwards to exclude the grave of an excommunicated person.

Another explanation is the wall’s movement is a hoax and the twin tales were spun to attract pilgrims and tourists to the site. Some sources downplay the idea of a hoax because skilled craftsman would have been needed to create the wall. The gable wall is about 19 feet high, 15 feet wide (17 meters long and 7 meters wide) and three feet thick.

The Kildemock church and its surrounding graveyard are ancient.

Excavations and restoration took place at the site about 70 years ago. In 1953-54 archaeologists in 1953-54 removed centuries accumulated debris and the true outline of the church became apparent, as did the “jumping” wall. According to one report, in 1953, fragments of a stained glass window, lead and a silver penny with Edward III’s likeness stamped on it were recovered. Edward III was king of England January 1327 until his death in 1377.

A bullaun stone is located at the north entrance to the church. A medieval cross grave slab is located near the southwest corner of the structure.

The ancient Church of Deomog once stood on this site, according to the Visions of the Past website. https://visionsofthepastblog.com/2013… It is believed a disciple of St. Patrick and St. Benen founded the early Christian church that stood on the site.

After the Norman invasion of Ireland in the 12th century, the parish came under the control of the Knights Templar, and this church was built in the early 14th century in honor of St Catherine.

The church remained under the control of the Knights Templar until the order was suppressed in 1312 when ownership passed to the Knights Hospitallers until Henry VIII’s religious suppression of the 1540s. When the church fell into ruins is unknown, though one of the grave slabs in the church is dated 1688.

The graveyard around the church ruins appears to have been in continuous use hundreds of years, and there are number of tombstones and grave markers where names and dates have completely eroded away. The graveyard is still in use today.

Regardless of the myths surrounding the wall, the site is a beautiful, contemplative place.

No one seems in a hurry to dispel any of the myths surrounding the “jumping” wall and the site does indeed attract curious visitors.

#ireland #irish #irishhistory #countylouth #ancientireland #jumpingchurch #jumpingwall

The Amazing History of Cú Chulainn’s Castle


Cú Chulainn’s Castle, also known as Dún Dealgan Motte, Byrne’s Folly or Pirate Byrne’s Castle, represents multiple layers of Irish myth and history.

Cú Chulainn’s Castle, a designated Irish National Monument, is located northwest of Dundalk and west of Mount Avenue, on a ridge overlooking the Castletown River.

An ancient Gaelic Irish dún — or fort — once stood here. Some legends claim the site, which had a surrounding village, was the birthplace of Cú Chulainn.

The recorded reference to a fort on this site is from 1001-1002 AD.

A motte-and-bailey, the type of castle built after the Norman invasion, may have been constructed by Norman noble Bertram III de Verdun (c.1135–1192).

In 1210, it was a stronghold of Hugh de Lacy, 1st Earl of Ulster. De Lacy abandoned it when he was being hunted by England’s King John. De Lacy built and controlled several castles and fortified tower houses in County Louth, including Carlingford Castle, also known as King John’s castle.

On 14 October 1318, it was the site of the Battle of Faughart, which ended with the death of Edward Bruce, brother of Robert Bruce. Edward Bruce was drawn and quartered, his parts sent as a warning to the four corners of Ireland. His head was shipped to the King of England.

Yet, Bruce has a grave at the nearby Hill of Faughart.

Local landowner and merchant Patrick Byrne, who was often called a pirate due his involvement in smuggling, built a Gothic house with a tower on the mount in 1780. It was damaged in the 1798 Irish Rebellion.

Only the castellated tower, which became known as “Byrne’s Folly”, remains. This is the structure visible on the site today. The house was rebuilt as a country retreat in 1850 by Thomas Vesey Dawson.

The building again fell into disrepair. It was purchased by the County Louth Archaeological and Historical Society for a museum. It was further damaged during the Irish revolutionary period (1919–23) when armed men set it ablaze.

Today, the tower and surrounding ruins are an Irish national monument. In May 2023, local politicians called upon Ireland’s Department of Public Works, keepers of national monuments, to make the castle more accessible to tourists.

The site’s steep, curving driveway is blocked by an iron gate. Visitors must either climb a set of stone steps or squeeze around a small dirt path opening next to the steps to gain access to the driveway. The site is marked with an informational sign and part way up the driveway a handrail is already in place, should more tourists be able to access the site.

The castle’s main drawback as a tourist draw is the lack of parking. Parking in front of the gate is prohibited. The nearest safe parking is along one of the streets in the nearby housing estates across the street from the site.

On the sunny, breezy day we visited, we had Cú Chulainn’s Castle to ourselves.

Links, References and Sources:
■ Ask About Ireland https://www.askaboutireland.ie/readin…
■ Cu Chulainn’s Castle Dundalk Republic Of Ireland
   

• CU CHULAINN’S CAS…  
■ Cúchulainn’s Castle, Castletown Motte ,Co Louth , Ireland
   

• Cúchulainn’s Cas…  
■ Dundalk Business Improvement District
https://dundalktown.ie/cuchulainns-ca…
■ Irish Road Trip
https://www.theirishroadtrip.com/cu-c…
■ News story: Cuchulainn’s Castle should be developed tourist attraction for Dundalk says Cllr Sean Kelly
https://www.independent.ie/regionals/…
■ Megalithic Ireland
http://www.megalithicireland.com/Dun%… ■ Secret Ireland https://secretireland.ie/how-are-cuch…
■ The Incredibly Long Journey
https://theincrediblylongjourney.com/…
■ Visit Louth
https://www.visitlouth.ie/explore-and…
■ Visions of the Past
https://visionsofthepastblog.com/2015… ■ Books ➤Crowl, Philip Axtell (1 January 1990). The Intelligent Traveller’s Guide to Historic Ireland. Contemporary Books. ISBN 9780809240623 https://books.google.com/books?id=hKG… ➤Hagger, Mark S. (1 January 2001). The Fortunes of a Norman Family: The de Verduns in England, Ireland and Wales, 1066-1316. Four Courts Press. ISBN 9781851825967 https://books.google.com/books?id=hVJ…
■ See our website for more info:
https://irelandinsideandout.com/ #Ireland #Irish #IrishHistory #Dundalk #CountyLouth #CúChulainn #castle #Irishcastles #mythicalIreland #castles #middleages #BattleofFaughart

The Story Of CúChulainn’s Stone In The Field of Slaughter – Clochafarmore Standing Stone

Clochafarmore is a standing stone and National Monument in County Louth, Ireland.

This standing stone is traditionally associated with the death in battle of the mythical hero CúChulainn.

Legend has it CúChulainn was killed here. As he was dying, CúChulainn tied himself to the stone so he could face his enemies, continuing to fight even as he died.

This field has become known locally as the “Field of Slaughter”.

In the 1920s, a bronze spearhead was found near the stone. Unfortunately, the spearhead was given to parish priest and not a museum and has since been lost.

CúChulainn’s Stone (or Clochafarmore) stands 3 meters, 10 feet, tall and approximately 1.3 meters, 5 feet wide.

The phallic stone itself was likely erected in the Bronze Age, 1000 BC and 500 AD. There is little hard evidence of its origin, early use or cultural significance.

This monument pre-dates the Iron Age legend of CúChulainn. The legend told today likely represents an attempt to interpret an existing, ancient landscape. The name Clochafarmore comes from the Irish Cloch an Fhir Mhóir, meaning “Stone of the Big Man”. The field where it is located is known locally as “The Field of Slaughter”.

On that day we visited the Field of Slaughter was planted with potatoes that were awaiting harvest.

One odd feature of the stone is name, Jim McKenna, and the date 1912 that has been chiseled vertically on one side of the stone. Who McKenna was and why is name was carved into the stone is not explained in any of the source materials on this stone, although there are mentions of it.

On the day we visited a hurling stick has been left at the base of the stone. McKenna may have been an early 20th century champion hurler from County Louth.

If you have any information about who McKenna was, please tell us in the comments.

Although the standing stone is in a private farm field, there is an information sign and stile entrance allowing access to the site of the national monument. Entering the field does require a small climb to clear the stile.

Clochafarmore Standing Stone, Co. Louth
Nearest Town: Knockbridge
Townland: Rathiddy
GPS coordinates:
Latitude: 53° 58′ 28.25″ N
Longitude: 6° 27′ 57.18 W

Links and sources:

Curious Ireland
https://curiousireland.ie/cuchulainn-…

It’s My Ireland – YouTube channel:
• Clochafarmore Sta…

Megalithic Ireland website –
http://www.megalithicireland.com/Cloc…

Voice From The Dawn website:
https://voicesfromthedawn.com/clochaf…

Google Maps location:
https://www.google.com/maps/d/viewer?…

St Patrick Wasn’t Irish And He’s Not A Saint

St. Patrick isn’t Irish, and officially he’s not saint.

Patrick was never formally canonized. He lived before current Catholic Church laws on naming saints.[1]

Patrick was born in Britain to wealthy parents near the end of the 4th century as Roman rule was ending. His exact birthplace is uncertain.

The dates of Patrick’s life are also uncertain. It is generally accepted he died March 17. This date is Patrick’s feast day and is celebrated worldwide as St. Patrick’s Day.

There is general agreement among historians he was active as a missionary in Ireland in the fifth century.

Two works in Latin generally accepted as written by Patrick have survived. These are the autobiographical Declaration (Confessio) and the Letter to the soldiers of Coroticus (Epistola).[2]

These works provide the only generally accepted details of his life.[3]

According to the Confession of Saint Patrick, at the age of sixteen he was captured by a group of Irish pirates, from his family’s Villa at “Bannavem Taburniae”.[9]

Patrick escaped, returned to his family, and become a cleric. He returned to northern and western Ireland as a missionary, and later served as a bishop, but little is known about this time in his life.

By the 7th century, Patrick was revered as the patron saint of Ireland.

Two late 7th-century Patrick biographers documented the early exploits helping build his fame.[4][5]

In 431, Palladius was made the first bishop of Ireland, preceding Patrick.[7]

Palladius, from a prominent family in Gaul, was a deacon. Pope Celestine I made him a bishop and sent him to Ireland “to the Scotti believing in Christ”.[6]

Parts of both life stories may have been combined in Irish tradition.[10]

Palladius ministered in Ireland until the 460s.[8]

References and sources:

[1] Flechner, Roy (2019). Saint Patrick Retold: The Legend and History of Ireland’s Patron Saint. Princeton, NJ: Princeton University Press, page 1. ISBN 978-0691184647. https://www.google.com/books/edition/Saint_Patrick_Retold/YdVsDwAAQBAJ?hl=en&gbpv=1

[2]Both texts in original Latin, various translations and with images of all extant manuscript testimonies on the “Saint Patrick’s Confessio HyperStack website”. Royal Irish Academy Dictionary of Medieval Latin from Celtic Sources.

[3]Macthéni, Muirchú maccu; White, Newport John Davis (1920). St. Patrick, his writings and life. New York: The Macmillan Company. pp. 31–51, 54–60.

[4]These are the writings of Tírechán and the Vita sancti Patricii of Muirchú moccu Machtheni.[58]

[5]Byrne, pp. 78–79; Paor 1993, pp. 6–7, 88–89; Duffy 1997, pp. 16–17; Fletcher 1997, pp. 300–06; Yorke 2006, p. 112

“Christianity in Ireland before Patrick”. The Irish News. 21 January 2021. Retrieved 6 February 2023.

[7]Cusack, Margaret Anne, “Mission of St. Palladius”, An Illustrated History of Ireland, Chapter VIII, 1868 Public Domain This article incorporates text from this source, which is in the public domain.

Entry for AD 431 Chronicle of Prosper of Aquitaine

[8]Byrne, pp. 78–79; Paor 1993, pp. 6–7, 88–89; Duffy 1997, pp. 16–17; Fletcher 1997, pp. 300–06; Yorke 2006, p. 112

[9]“Confession of St Patrick”. Christian Classics Ethereal Library. 7 April 2013. Archived from the original on 22 February 2014.

[10]O’Rahilly, T. F. (1942). The Two Patricks: A Lecture on the History of Christianity in Fifth-Century Ireland. Dublin: Dublin Institute for Advanced Studies.

Music: A Celtic Blessing – Bonnie Grace

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Two Artists Strip Dublin Bare

BMd1 Stripping Dublin bare

Two artists have stripped Dublin bare.

Artists Filip Berte and Cliona Harmey collaborated to erase the hand of man from upon the land that is Dublin’s Phoenix park along with a large swath of greater Dublin.
https://filipberte.com/
https://www.clionaharmey.info/

They succeeded in a most graphic sense.

The fiendish duo accomplished this feat this using a technology known as LiDAR – Light Detection and Ranging – combined with imagery and data from Ireland’s Ordinance Survey. Using lasers, LiDAR produces high definition 3-D images of landscapes.

Berte and Harmey took an aerial LiDAR image of an area of Dublin and erased all man-made objects. Then they wantonly did the same for any and all vegetation.

Harmey, an artist and lecturer at the National College of Art and Design in Dublin, and Berte, a Ghent-based visual artist trained as an architect, did more things to the image.

These things included dismembering it into a series of perfect squares and then mounting those images on something rigid and square, possibly made from plastic.

The artists call the resulting work BMd1, Berte
admitted.
https://www.nulpuntwolk.nu/bma/

BMd1 was available for public inspection 13 Oct. to 15 Oct, 2022 in a pop-up installation in the rotunda of the Hugh Lane Gallery in Dublin.

BMd1 is part of Berte and Harmey’s larger concept Nul Punt Wolk (Null Point One) https://www.nulpuntwolk.nu/ that combines fragments of aerial images, mapping and landscapes.
https://www.nulpuntwolk.nu/about/

Nul Punt Wolk aims to present these aerial images in a format that could create discussions about how things might be done differently.

BMd1 reveals outlines and shapes, the underlying topography of an urban landscape, in stark shades of gray. Closer inspection of the squares show how LiDAR images are composed of tiny rectangles that when viewed from a distance blend into something softer.

During the installation the artists willingly made themselves available for interrogation.

Both artists revealed a collaboration took place during the Covid 19 lockdown. Safe distancing was maintained throughout the project, the artists claim.

Further, Berte and Harmey said they deliberately used CAD software and 3-D printing to make clever plastic hardware that incorporates wooden dowels as a way to display BMd1’s component squares.

Not content to openly display BMd1, Berte and Harmey brought along another work, the four-screen Glossa. Glossa uses small computers to display words.

Berte and Harmey, armed with BMd, are known to be headed in the direction of Galway.
https://www.tulca.ie/programme-2022?utm_source=pocket_mylist

Be on the lookout. It is understood BMd1 will appear 4-20 November, 2022, in Galway at the TULCA Festival of Visual Arts located in Gallery 1 Hynes Building, St Augustine Street, Galway, Ireland
Map:
https://goo.gl/maps/iwB4XXKkmJWsZVkPA

Berte & Harmey will participate in an artists’ talk at TULCA on Saturday, 5 Nov., 2022
https://www.tulca.ie/berte-and-harmey